The Assignment:
"Have it compose a poem -- a poem about a haircut! But lofty, noble, tragic, timeless, full of love, treachery, retribution, quiet heroism in the face of certain doom! Six lines, cleverly rhymed, and every word beginning with the letter s!"
The Solution:
Seduced, shaggy Samson snored.
She scissored short. Sorely shorn,
Soon shackled slave, Samson sighed,
Silently scheming,
Sightlessly seeking
Some savage, spectacular suicide.
Well, what do you say to that?
It's a marvelous poem, I think -- in itself, and particularly given the stipulations. But of course it is also an astonishing piece of translation: it is hard to believe it wasn't written in English. (Douglas Hofstadter talks about this aspect of Kandel's translations, though not that I recall in relation to this particular poem, in his delightful book about translation, Le Ton beau de Marot.) And a real question in my mind has always been what the original looks like. Alas, the Cornell library doesn't seem to have a copy of Cyberiada in the original Polish... (If anyone out there happens to know, do please leave a comment or email me!)
Incidentally, Googling around, I found that the opening of The Cyberiad, "How the World Was Saved" is available (in English) on Lem's web site. Check it out!
Update: Well, if I hadn't misspelled "Samson", my earlier Googling would have been more successful. It turns out that the Polish version of Lem's Cyberiada is online -- it appears in its entirety. At any rate, it gives us:
The Assignment in Polish:
Niech ułoży wiersz o cyberotyce! - rzekł nagle, rozjaśniony. - Żeby tam było najwyżej sześć linijek, a w nich o miłości i o zdradzie, o muzyce, o Murzynach, o wyższych sferach, o nieszczęściu, o kazirodztwie, do rymu i żeby wszystkie słowa były tylko na literę C!!
The Solution in Polish:
Cyprian cyberotoman, cynik, ceniąc czuleNow, I don't know a word of Polish. But even so it seemed pretty obvious that Kandel's version was an equivalent rather than a translation. (Note that that "d" in the third word of the fourth line is sic. I don't know what's up with that.) And the automated Polish-English translation program which I copied each into confirmed it (well, it produced a mishmash, especially of the poem -- but it was enough to show that the original was clearly something quite different than the translation.) So what does the original mean -- how would it translate literally?
Czarnej córy cesarskiej cud ciemnego ciała,
Ciągle cytrą czarował. Czerwieniała cała,
Cicha, co dzień czekała, cierpiała, czuwała...
...Cyprian ciotkę całuje, cisnąwszy czarnulę!!
Fortunately, it turns out that Michael Kandel himself has answered this question. Greg Keogh at the Nancy Street Network has a Stanislaw Lem page on which he describes emailing this question to Kandel. Kandel provided the following literal gloss on the Polish:
Cyprian the cyber sex fiend and a cynic, appreciating tenderly the miracle of the dark body of the Negro daughter of Caesar, constantly wove charms with a zither. She blushed all over, silent, waiting every day, suffering, watching ... Cyprian kisses her aunt, have abandoned the black beauty!Unfortunately, Kandel didn't give a literal gloss on the Polish paradigms (the "assignment" as I've called it). But this gives a sense of what the original is like -- and hence what Kandel was up against.
(Of course the paradigms given the machine are quite different.)
I still think "Seduced, shaggy Sampson snored..." is a terrific little poem. The question is: given that it isn't really a translation of Lem's poem (but rather an English equivalent of it), but one that occurs in a translation of Lem's novel and wasn't offered for independent publication -- who should be credited as the author of the poem? Lem? Kandel? Lem as translated by Kandel? Both in collaboration?
2 comments:
compendium can be bought.
www.makenow.org
"(Note that that "d" in the third word of the fourth line is sic. I don't know what's up with that.) "
It's due to vacillations in Polish spelling rules - co dzień "every day" used to be written as one word in some contexts (I suspect codzień was wrong in this context even then but nevermind). Here, co is a sort of a modifying particle (as a pronoun it means "what") used to create phrases like "every day", "every year" etc.
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