But I did go through a period (nearly two decades ago now) of writing poems, in which I wrote perhaps a dozen that I thought ranged from the pretty good to the good (tout court). (There were also another dozen or so that showed promise, although they never got beyond the needing revision/incomplete work phase.) I even tried to publish a few, with no luck (although I wasn't very persistent nor very realistic about where I might be published the first time out). But since it's not an area I am currently planning to pursue (although who knows) I thought I'd share one with my Noble Readers as a climax (or anti-climax) to my Originally-Accidental-But-Long-Since-Quite-Deliberate Poetry Month™ that I've been indulging in.
If you like it, or even find it interesting, leave an encouraging comment, and maybe I'll post another.
Midas
So will I end:
Stand overlooking the vast reed plain
Bent in periodic waves by the wind;
Eternally poised,
With a solid sort of dignity--
The wisdom of a king
Etched upon a not quite human face;
Lifelike-- once-life-- the finest
Details of scarf and nail
Preserved in glimmering gold:
Eyes on the mountain,
Hand carelessly on a thigh;
Statue, not carved,
But an ellipsis in time:
Iridescent flesh
Made solid by my own caress.
-- Stephen Saperstein Frug (1994)
1 comment:
this poem is nascent... it's taking on 'hard rings of flesh'... keep working on it. It's going somewhere. Its language feels a bit 'precious' at moments... so, do with that what you will. Keep writing
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